1982 · 0h 7m
In Rhea (1982), Askevold elaborates on his interest in allusion and implication, using images that seem to be fragments of a larger narrative to suggest, rather than tell, a story. This piece consists of a series of close-up shots of numerous people, each stating a name or phrase.
Director: David Askevold
Music by: David Askevold
Cinematography: David Askevold
Editor: David Askevold