Harry Jackson
Camera · Director of Photography · Second Unit Director of Photography · Cinematography
Born Apr 15, 1896 · Nebraska, USA
Active 1927–1953
From Wikipedia, the free encyclopedia Harry Jackson (April 15, 1896 – August 3, 1953) was an American cinematographer. Jackson was born in Nebraska, and was first employed in Hollywood as a still photographer for Warner Brothers.
Filmography
Lifeboat (1944) — Camera OperatorThe Band Wagon (1953) — Director of PhotographyAnne of the Indies (1951) — Director of PhotographyCharlie Chan on Broadway (1937) — Director of PhotographyKathleen Mavourneen (1930) — Director of PhotographyApartment for Peggy (1948) — Director of PhotographyWild and Woolly (1937) — Director of PhotographyLadies of the Night Club (1928) — CinematographyRhapsody (1954) — Director of PhotographyHalls of Montezuma (1951) — Director of PhotographyPony Soldier (1952) — Director of Photography$10 Raise (1935) — Director of PhotographyPartners (1932) — CinematographyNew Orleans (1929) — Director of PhotographyThe Kid from Left Field (1953) — Director of PhotographyThree Little Words (1950) — Director of PhotographyA Ticket to Tomahawk (1950) — Director of PhotographyFury at Furnace Creek (1948) — Director of PhotographyPiernas de seda (1935) — Director of PhotographyWay of a Gaucho (1952) — Director of PhotographyWhite Witch Doctor (1953) — Second Unit Director of PhotographyWake Up and Dream (1946) — Director of PhotographyLi'l Abner (1940) — Director of PhotographyThe Costello Case (1930) — Director of Photography