Eugen Schüfftan
Camera · Director of Photography · Director · Additional Photography
Born Jul 21, 1893 · Breslau, Silesia, Germany [now Wroclaw, Dolnoslaskie, Poland]
Active 1926–1977 · Awards: Academy Award for Best Cinematography, Black-and-White
From Wikipedia, the free encyclopedia Eugen Schüfftan (21 July 1893, Breslau, Silesia, Germany, now Wroclaw, Poland – 6 September 1977, New York City) was a German Jewish cinematographer.
Filmography
Metropolis (1927) — Visual EffectsThe Hustler (1961) — Director of PhotographyEyes Without a Face (1960) — Director of PhotographyPort of Shadows (1938) — Director of PhotographyNapoleon (1927) — Visual Effects Supervisor · Special EffectsUlysses (1954) — Special EffectsPeople on Sunday (1930) — Director of PhotographyThe Dark Mirror (1946) — Visual EffectsBizarre, Bizarre (1937) — Director of PhotographyIt Happened Tomorrow (1944) — Technical SupervisorLilith (1964) — Director of PhotographyHead Against the Wall (1959) — Director of PhotographyThe Strange Woman (1946) — ProducerLes quatre vagabonds (1931) — CinematographyA Scandal in Paris (1946) — Director of Photography · Production SupervisorSomething Wild (1961) — Director of PhotographyThe Big Scare (1964) — Director of PhotographyThere's No Tomorrow (1940) — Director of PhotographyThe Crimson Curtain (1953) — Director of PhotographyA Parisian in Rome (1954) — Director of PhotographyBluebeard (1944) — Director of Photography · Production DesignThree Rooms in Manhattan (1965) — Director of PhotographyHatred (1938) — Director of PhotographyThe Scoundrel (1931) — Director · Director of Photography