William A. Sickner
Camera · Director of Photography · Cinematography
Born Dec 23, 1890 · Rochester, New York, USA
Active 1935–1967 · Awards: Primetime Emmy Award for Outstanding Cinematography for a One Hour Series
William A. Sickner was an American cinematographer. He worked prolifically in film and later television. He worked for a number of studios, particularly Universal and Monogram Pictures.
Filmography
Leave It to Beaver (1957) — Director of PhotographyThe Mummy's Ghost (1944) — Director of PhotographyRiders of the Dawn (1945) — Director of PhotographyBig Timber (1950) — Director of PhotographyDon Winslow of the Coast Guard (1943) — Director of PhotographyThe Roaring West (1935) — CinematographyTorpedo Alley (1953) — Director of PhotographyDark Alibi (1946) — Director of PhotographyLoophole (1954) — Director of PhotographyLouisiana (1947) — Director of PhotographyTriple Cross (1951) — Director of PhotographyJoe Palooka in the Counterpunch (1949) — Director of PhotographySky Dragon (1949) — Director of PhotographyDangerous Money (1946) — Director of PhotographyFlash Gordon Conquers the Universe (1940) — Director of PhotographyCry Vengeance (1954) — Director of PhotographyJoe Palooka in the Knockout (1947) — Director of PhotographyJoe Palooka in Fighting Mad (1948) — Director of PhotographyOklahoma Raiders (1944) — Director of PhotographyThe Old Chisholm Trail (1942) — Director of PhotographyThe Falcon in San Francisco (1945) — Director of PhotographyTuna Clipper (1949) — Director of PhotographyThe Master Key (1945) — Director of PhotographySky Raiders (1941) — Director of Photography